"Destrozador de Rodillas Sketch"
There are places where, in spite of their great concentration of people, a schematic reading of society through space is not possible; there is no logical correspondence between spatial disposition and social disposition since they are spaces of waiting and transit, of anonymity and solitude. Marc Augé, a French anthropologist called this phenomenon "non-place" in which he affirms that we still continue in modernity, where the culture of individualism, consumption, the acceleration of time, the dissolution between reality and fiction where the idea of a perpetual present is raised thanks to technology, creates illusions and cultural distortions regarding the idea of knowledge and progress.
Through woodcutting, the idea of non-place is metaphorized, through abstractions of objects of torture as moral and systematic punishment, sadism and voyeur, places-objects that can portray the end of a hope, of life and at the same time are scenarios of a macabre spectacle that even today comes to cause morbidity and suggestion, the pain of others as entertainment.
Visual artist from Bogota, Colombia.
He is currently part of the traditional graphic collective Taller Trez of Bogotá and the graffiti collective MAL Crew;
Much of his work focuses on thinking about the city from different points of view, everything that encompasses living in one, evoking and comparing sensations through point and line, and permanently questioning the idea of chance and drift.
This is a gallery-quality giclée art print on 100% cotton rag archival paper, printed with archival inks. Each art print is listed by sheet size and features a minimum one-inch border.